Rear-view Mirror

Standing in front of the soft and melancholic, persuasive and at times ironic canvases of Idlir Koka, essentially means becoming part of a sharp dialectical game, a double vortex of references that it’s rooted in a particularly fruitful ground that presents itself at the same time as historical and emotional, yet placidly impartial.
The pictorial trait of Idlir Koka, being peculiarly steeped in history, is performed with mastery by outlining a sequence of stories and events whose flow of time is elegantly painted with graceful brushstrokes and calibrated colours.

On May 30th,

Time 19:00

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